Departamento de
Traducción e Interpretación


Tema:   Teoría.
Autor:   De Asprer Hernández, Núria
Año:   2002
Título:   Trans-forme-sens: de l'iconicité en traduction [Trans-formation: iconicity in translation]
Lugar:   Bellaterra (Barcelona)
Editorial/Revista:   Universitat Autònoma de Barcelona
Páginas:   112
Idioma:   Francés.
Tipo:   Tesis.
ISBN/ISSN/DOI:   ISBN: 8469998625.
Disponibilidad:   Acceso abierto.
Índice:   1. Écriture et iconicité; 2. Propositions pour l'iconique en traduction: iconicité multiple dans le texte moderniste.
Resumen:   The overriding position of the image in present-day culture and the repercussions of this in numerous textual productions, even though iconography is not a feature of alphabetical writing, led me initially to a study of contemporary texts in which iconicity was massively present. The trans-formation wrought by the icon has enabled me, on the one hand, to approach semiotic plurality in the literary text and to evaluate its repercussion in the domain of signification, and secondly, to approach the texts from a new perspective and to consider various degrees of iconicity. I also examined those texts in which iconicity was not massively present but more sparsely manifested throughout the discourse. Given the diversity of iconic procedures in the modern text, it was deemed important to evaluate the function of iconicity and to establish certain operational categories. To this end, a semiotic approach was employed examining the various theories of the sign, with an emphasis on the value attributed to the icon. Considering the dynamic character of the signification, which determines semiosis, priority was attached to a pluralist approach, based essentially on Peircian semiotics. If any text can be seen as a manifestation of some incompleteness, writing must carry some compensatory iconicity. And so, identification of the main features of iconicity, and analysis of the different levels and processes it indirectly manifests, is an ideal textual approach in terms of translation. The corpus employed comprises 20th century prose and poetic texts in French. In order to evaluate the function of iconicity in contemporary literature, the first iconographic manifestations have been identified, and presented in (I.1.2.), and the iconic origins of writing in (I.1.1). The natural use of pictographs in the pre-Columbine, Egyptian and Mesopotamian cultures and the cave paintings of prehistoric times, which mark the origins of modern iconicity, form a linking theme throughout the thesis enabling us to detect traces of a loss, and a tension at representational level. [...] The thesis does not aim to develop a methodology, but rather to put forward an approach to translation which will take account of writability, the present-day culture of the image, and a complex conception of the sign, since Saussurian notions are no longer sufficiently complex. The thesis then proposes a contemporary philosophy of the sign, the text and translation. [Source: Author]
Agradecimientos:   Record supplied by Fátima Parejo Díez.
2001-2019 Universidad de Alicante DOI: 10.14198/bitra
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