Departamento de
Traducción e Interpretación


Tema:   Historia. Antigua. Italia. Francia. Literatura. Género. Historia. Antigua. XVI. Renacimiento.
Autor:   Bertolino, Alessandro
Año:   2016
Título:   Traduction de l'italien et apologie de la langue française. La contribution des préfaces de traduction autour de 1550 [Translation from Italian and apology for the French language. The contribution of the forewords of translation around 1550]
Lugar:   Reims
Editorial/Revista:   Université de Reims Champagne-Ardenne
Idioma:   Francés.
Tipo:   Tesis.
Resumen:   This thesis aims at studying the constitution of a speech on the dignity of the French language, as well as on the possibility of illustrating it, inside the forewords of translations from Italian executed between 1530 and 1560.After an introduction on the evolution of the critical notion of Italianism, an analysis of different paratexts allows to identify some topical elements typical in the translations of Italian, as well as the presence of a paradoxical situation inside the forewords of these translations, as the translators give shape to a very voluntarist speech on the enrichment of the national idiom, led however on the basis of works issued from another vernacular culture. Therefore, we try to describe the strategies adopted by the translators to break the deadlock.Starting from some observations of Sébillet about the necessity of following an Italian model of translation into vernacular for the progress of French, we analyze the forewords of some literary works of philosophic inspiration, which insist on the presence of an « italian model » for transmission of knowledge as well as on weakness of the French lexicon in this domain and on the value of the translations to fill these deficiencies. We verify then the existence of this "Italian model" by a study of the book production in Venice and Florence.The last part of the thesis proposes the detailed analysis of two paratexts : that of the translation of the Orlando Furioso appeared in Lyon in 1543 and that of Decameron by Antoine The Maçon (1545), which show themselves as exemples of the dynamics of appropriation and literary competition which emerge from forewords of the translations from Italian. [Source: Author]
2001-2019 Universidad de Alicante DOI: 10.14198/bitra
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